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BRIGHTON SHOCK IN STOCK AND SHIPPING! SIGNED BY 33!

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BRIGHTON SHOCK edited by Stephen Jones (signed limited hardcover)

It’s hard to know how to describe this one: it’s remarkable even by Steve’s heady standards . . . stories, appreciations, bibliographies, biographies and lavishly illustrated throughout, with eight-page full-colour sections from the two Artist Guests of Honour, Dave Carson and Les Edwards.

There are thirty-three signatures already in place with additional lines for the six people we didn’t manage to get . . . so it’s a volume you need to carry around with you for the rest of your life just in case you run into Messrs. John Burke, Gary Gianni, Glen Hirshberg, Stephen King, John Picacio, and Gahan Wilson when they’ve got a pen in their hand. Signatures from the following authors are included on your behalf: Mike Ashley, Randy Broecker, Pat Cadigan, Ramsey Campbell, Dave Carson, David Case, Vincent Chong, Basil Copper, Mary Danby, Les Edwards, Bob Eggleton, Jo Fletcher, Amanda Foubister, Christopher Fowler, Neil Gaiman, James Herbert, Stephen Jones, Nancy Kilpatrick, Allen Koszowski, Hugh Lamb, Joel Lane, Tim Lebbon, Tanith Lee, Brian Lumley, Johnny Mains, Kim Newman, Reggie Oliver, Sarah Pinborough, Ingrid Pitt, John Llewellyn Probert, Robert Shearman, Michael Marshall Smith, and Chelsea Quinn Yarbro. Believe me, it was quite a task . . . and there are some signatures there that you don’t come across very often so this is an opportunity you shouldn’t miss!

NEW BRIGHTON SHOCK SIGNED/LIMITED FOR SALE. ONLY 100 COPIES, with 33 SIGNATURES!

brighton

BRIGHTON SHOCK edited by Stephen Jones (signed limited hardcover)

ONLY 100 COPIES, DO NOT MISS OUT!!

It’s hard to know how to describe this one: it’s remarkable even by Steve’s heady standards . . . stories, appreciations, bibliographies, biographies and lavishly illustrated throughout, with eight-page full-colour sections from the two Artist Guests of Honour, Dave Carson and Les Edwards.

There are thirty-three signatures already in place with additional lines for the six people we didn’t manage to get . . . so it’s a volume you need to carry around with you for the rest of your life just in case you run into Messrs. John Burke, Gary Gianni, Glen Hirshberg, Stephen King, John Picacio, and Gahan Wilson when they’ve got a pen in their hand. Signatures from the following authors are included on your behalf: Mike Ashley, Randy Broecker, Pat Cadigan, Ramsey Campbell, Dave Carson, David Case, Vincent Chong, Basil Copper, Mary Danby, Les Edwards, Bob Eggleton, Jo Fletcher, Amanda Foubister, Christopher Fowler, Neil Gaiman, James Herbert, Stephen Jones, Nancy Kilpatrick, Allen Koszowski, Hugh Lamb, Joel Lane, Tim Lebbon, Tanith Lee, Brian Lumley, Johnny Mains, Kim Newman, Reggie Oliver, Sarah Pinborough, Ingrid Pitt, John Llewellyn Probert, Robert Shearman, Michael Marshall Smith, and Chelsea Quinn Yarbro. Believe me, it was quite a task . . . and there are some signatures there that you don’t come across very often so this is an opportunity you shouldn’t miss!

HUGE ANNOUNCEMENT! THE VERY BEST OF NEW HORROR! UP FOR PRE-SALE NOW!

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THE VERY BEST OF BEST NEW HORROR edited by Stephen Jones (signed limited deluxe hardcover edition)

Fantasy Award, British Fantasy Award and International Horror Guild Award-winning series has published more than 450 stories by around 200 of the genre’s most famous and acclaimed authors, as well as those newcomers who are just starting out on their careers. To celebrate the anthology’s twentieth anniversary, the editor has selected from each volume one story that he considers to be the “best” for reasons explained in his historical introduction to each tale. As a result, some of horror’s biggest names are represented, including Stephen King, Clive Barker, Peter Straub, Harlan Ellison, Brian Lumley and Neil Gaiman, along with newer writers such as Joe Hill, Glen Hirshberg, Mark Samuels and Terry Lamsley. With a unique Introduction by Ramsey Campbell, and an indispensable Index detailing the entire contents of the series over all twenty volumes, The Very Best of Best New Horror is a tribute to the world’s premier annual anthology of contemporary horror fiction.

TABLE OF CONTENTS:
EDITOR’S FOREWORD Stephen Jones
INTRODUCTION: BETTERING THE BEST Ramsey Campbell
NO SHARKS IN THE MED Brian Lumley
THE MAN WHO DREW CATS Michael Marshall Smith
THE SAME IN ANY LANGUAGE Ramsey Campbell
NORMAN WISDOM AND THE ANGEL OF DEATH Christopher Fowler
MEFISTO IN ONYX Harlan Ellison
THE TEMPTATION OF DR STEIN Paul J. McAuley
QUEEN OF KNIVES Neil Gaiman
THE BREAK Terry Lamsley
EMPTINESS SPOKE ELOQUENT Caitlín R Kiernan
MR. CLUBB AND MR. CUFF Peter Straub
WHITE Tim Lebbon
THE OTHER SIDE OF MIDNIGHT: ANNO DRACULA, 1981 Kim Newman
CLEOPATRA BRIMSTONE Elizabeth Hand
20TH CENTURY GHOST Joe Hill
THE WHITE HANDS Mark Samuels
MY DEATH Lisa Tuttle
HAECKEL’S TALE Clive Barker
DEVIL’S SMILE Glen Hirshberg
THE CHURCH ON THE ISLAND Simon Kurt Unsworth
THE NEW YORK TIMES AT SPECIAL BARGAIN RATES Stephen King
INDEX TO TWENTY YEARS OF BEST NEW HORROR

THREE KICK ASS CENTIPEDE TITLES NOW 50% OFF!!!

WE HAVE JUST DRASTICALLY REDUCED THE PRICES ON THREE CENTIPEDE PRESS TITLES! Get em’ while they are HOT!

knowing

Knowing Darkness: Artists Inspired by Stephen King (Slightly damaged, Limited edition hardcover)

THESE ARE SLIGHTLY DAMAGED COPIES, TOTALLY INTACT, BUT HAVE BUMPED SLIPCASES AND CORNERS. YOU WILL LOVE THIS BOOK, GUARANTEED!

Knowing Darkness: Artists Inspired by Stephen King, with an original introduction by film director Frank Darabont.  Full color, 11 × 15 inches, 448 pages, over 500 illustrations, over 30 pages of double-page foldouts.

In addition to the wealth of previously published artwork, new works of art have been commissioned especially for this book: Michael Whelan leads the way with a magnificent front cover, and a new interior piece illustrating The Dark Tower. The newly commissioned interior pieces include art illustrating “One for the Road” (Stephen Gervais), It (Bob Eggleton), The Shining (Douglas Smith), ’Salem’s Lot (John Picacio), Hearts in Atlantis (Les Edwards), Duma Key (Don Maitz), The Lawnmower Man (Jason Eckhardt), The Tommyknockers (Alex McVey), Black House and Cell (Zach McCain), Weeds and The Girl Who Loved Tom Gordon (David Ho), and others.

Shot from the originals or the artist’s original color-corrected computer scans, free of distracting type or design, the artwork in this book is printed on heavy matte paper and varnished for protection. Every artistic medium is represented: scratchboard, oils, watercolors, pencils, collage, photographs, and digital art. The text, written by King critic George Beahm, looks back at 34 years of King in print. It provides a detailed look at the writer and his life, supplemented with interviews with Michael Whelan, Bernie Wrightson, Drew Struzan, John Cayea, Dave Christiansen, and many others.

Note: Stephen King has not signed this book, nor has he contributed any original text.
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THE FACE THAT MUST DIE by Ramsey Campbell (signed limited edition hardcover)

Ramsey Campbell’s daring look into the mind of a psychotic killer was published in truncated form in 1979; an expanded edition was later published in 1982. The paranoid outlook of the book’s main character, Horridge, is a grim commentary on a bleak Liverpool suburb and Thatcher-era England.

This edition has the corrected text by Campbell and the compelling photographs of J.K. Potter, with a new introduction by Poppy Z. Brite, a bonus short story, and a new afterword by Campbell. The Potter photographs are printed so fine that Potter himself called us when the book was published, stating that their austere, full-page, full-bleed presentation was the finest presentation and reproduction of these works that he had ever seen.

The hardcover edition is limited to just 300 copies and is signed by Campbell, Potter, and Brite. Bound in cloth with a handsome dustjacket.

frankenstein

FRANKENSTEIN by Mary Shelley (trade paperback edition)

Mary Shelley’s Frankenstein is the world’s most notorious and widely read Gothic novel. It has also been heralded as both the first modern horror novel and the first science fiction novel. More important than either is the novel’s mythical status in society. The rich subtext of Frankenstein and the vast number of readings it can inspire have contributed to the novel’s continued success after nearly two hundred years.

This edition of Frankenstein uses Mary Shelley’s definitive 1831 text and incorporates several critical essays on Frankenstein, discussing its rich symbolism and place in world literature. There is also a valuable bibliography, Mary Shelley’s original introduction to the 1831 edition, Percy Shelley’s original preface, and more. This is the definitive edition of Frankenstein, perfect for the trade and indispensable for scholarly use. This is first in the affordably priced Millipede Press Gothic Novels series.